Legendary Hellboy Creator Mike Mignola and Acclaimed Artist Ben Stenbeck Unveil an All-New Fictional Universe: Lands Unknown

Bowling With Corpses and Other Strange Tales From Lands Unknown

is an Anthology of Folklore-inspired Fantasy Stories, Written and Drawn by Mignola,

Colored by Dave Stewart and Lettered by Clem Robins

That  Introduces a Shared Universe of Stand-Alone Stories Created by Mignola and Stenbeck

Thirty years after Mike Mignola created Hellboy, the legendary cartoonist is introducing readers to a brand new shared universe, created with frequent collaborator Ben Stenbeck, the writer/artist of the acclaimed series Our Bones Dust. In December, Dark Horse Comics will publish Bowling With Corpses and Other Strange Tales From Lands Unknown, an anthology of folklore-inspired fantasy stories written and illustrated by Mignola, coloured by Dave Stewart, and lettered by Clem Robins. The book will be the first publication from Curious Objects, Mignola’s new imprint at Dark Horse and will set the stage for more weird, wicked, and whimsical stories in the “Lands Unknown” universe from Mignola and Stenbeck.

View fullsize

In Bowling With Corpses and Other Strange Tales From Lands Unknown, the stories are fantastical, odd and charming — from a search for the beating heart of a long-dead sorcerer, to a pirate girl who makes a deal with the devil, to the titular boy who wins a grim prize in a game with undead interlopers. 

“It all started with an Italian Folktale about a boy who goes bowling with corpses,” said Mignola. “I fell in love with the story as soon as I discovered it but I wanted to play fast and loose when adapting it, so I created a whole new world. Not TOO different than our world a few centuries ago, but with a lot more gods and monsters. Once I created that world new characters and stories just started pouring out of it. There is a whole lot to play with here and I expect to be at it for a very long time.”

few years now Mike has been emailing me designs and pages and ideas and maps and lists of place names for this world, and his enthusiasm for this project is indomitable and infectious,” said Stenbeck, who will be writing and drawing other, unannounced future Lands Unknown comics. “So often my reaction to these emails is ‘that's great Mike! But I still have two books to draw before I can even move on to this work!’ and then I find myself taking three days off to write a new story. Luckily Mike likes my stories. My first project is set far off in a distant corner of this world. That way I can't bump into anything Mike is doing and make a mess. Spoiler...it will have monsters in it.”

In addition to the Hellboy Universe he created three decades ago, Mignola has co-created the Outerverse Universe with New York Times bestselling novelist Christopher Golden, co-created a series of eerie and off-kilter Victorian-style gothic mysteries with Warwick Johnson-Cadwell, starring Professor J.T. Meinhardt, Mr. Knox, and Ms. Mary Van Sloan, and recently co-created Radio Spaceman with Greg Hinkle and Leonide the Vampire with Rachele Aragno. In addition to his work on the Hellboy and Outerverse universes, Stenbeck’s writer-artist debut Our Bones Dust has generated widespread acclaim.

Bowling With Corpses and Other Strange Tales From Lands Unknown is a 112-page hardcover that will be released in bookstores on December 3, 2024 and in comic shops on December 4.  Follow Dark Horse Comics on social media for more news, announcements, and updates.

Matt Bors and Ben Clarkson’s Scathing Satire of Capitalism Returns With an All-New Original Graphic Novel in JUSTICE WARRIORS: VOTE HARDER

JUSTICE WARRIORS, the scathing satire of capitalism and police in a future of severe inequality from Matt Bors — the founder of The Nib and a political cartoonist who has twice been named a Pulitzer Prize finalist — and Ben Clarkson — an acclaimed filmmaker and illustrator whose art has been featured on Adult Swim and Vice Noisey — is returning to shelves as a brand-new graphic novel entitled JUSTICE WARRIORS: VOTE HARDER. 

“JUSTICE WARRIORS: VOTE HARDER takes the feel of paranoid political thrillers of the 70s and updates it for the online age of conspiracy, partisanship, and the desire to break out of the confines of the ballot box to do something far more radical,” said Matt Bors. “Unlikable candidates. An unfair media. And a system designed to prevent real change. It's the most important election of everyone's life—and possibly their last.”

The first JUSTICE WARRIORS series followed police officers Swamp Cop and Schitt as they patrolled the crime-free metropolis of Bubble City and its surrounding mutant-packed Uninhabited Zone. Now in VOTE HARDER, Bubble City’s first ever election for mayor pulls Officer Swamp into a violent mission that will put him on a collision course with his beloved partner Schitt. Co-written by Clarkson and Bors with art by Clarkson and backup illustrations by Bors, JUSTICE WARRIORS: VOTE HARDER features colors by Felipe Sobreiro and lettering by Bors.

"JUSTICE WARRIORS: VOTE HARDER is an epic thrillride about the infiltration of civil society by law enforcement, the corrupt bickering of unaccountable elites, and unchecked military expansion which is, of course, unrelated to the regular healthy function of our corporate oligopoly — er, democracy," said Ben Clarkson. "It's bigger, badder and more justicier than the original with a thrilling dose of orbital space lasers, giraffe assassins and obscure parliamentary procedure."

In crime-free utopia Bubble City's first-ever election for mayor, feckless celebrity incumbent The Prince faces a challenge from within the Bubble's elite: his half-cousin Stuffina Vippix IX, who promises austerity and competency. Finally a choice for the people! But out in the Uninhabited Zone, which is packed with millions of mutants, the radical and armed Flauf Tanko mounts a third-party run to inspire the masses who are fed up with the entire system. Rallying to protect the votes from the people, mutant cops Swamp and Schitt are called in on special duty. Schitt must act as bodyguard to the Prince, while his poll numbers drop and assassination attempts ramp up. Meanwhile, Swamp is sent on a clandestine mission inside the mutant opposition—to infiltrate, report, and maybe fall in love with a passionate activist triggering an identity crisis. Can the two partners survive being pitted against each other in a horserace? 

“JUSTICE WARRIORS: VOTE HARDER is funny, it makes sharp points, and its artwork is so densely detailed I can only call it ‘amphetaminesque,’” said AHOY Comics Editor-in-Chief Tom Peyer. “It’s bound to cross your mind while you’re voting and it might even take some of the sting away.” 

The irreverent, dark comedy JUSTICE WARRIORS was initially published by AHOY Comics as a trade paperback in 2023 and has received widespread attention from CHAPO TRAP HOUSE, IGN, POD DAMN AMERICA, CURRENT AFFAIRS, COMIC BOOK COUPLES COUNSELING, LEDGER, SUPER NICE CLUB, GRAPHIC POLICY, QANONANON, and STRUGGLE SESSION. The title went back to press for second and third printings in the wake of its popularity.

JUSTICE WARRIORS is published by AHOY Comics, the Syracuse-based independent publisher perhaps best known for SECOND COMING, a controversial satire by Mark Russell, Richard Pace and Leonard Kirk in which Jesus Christ resumes his holy mission. The company is the brainchild of journalist and satirist Hart Seely (publisher), an award-winning reporter whose humor and satire has appeared in The New York Times and on National Public Radio, comics writer Tom Peyer (editor-in-chief), and cartoonist Frank Cammuso (chief creative officer). AHOY Comics launched five years ago with four acclaimed comic book magazine titles featuring full length comic book stories, poetry, prose fiction, and cartoons.

Here's what people are saying about JUSTICE WARRIORS:

“Filled with action, humor, and biting commentary.”—SCREENRANT

“A scathing – and often quite funny – critique of modern events and norms with a heavy focus on police practices. Though its jabs are quite pointed and purposeful, its broad encompassing of topics like formula shortages and an overemphasis on social media make it seem as though nothing's off the table when it comes to being parodied.”—COMICBOOK.COM

“Matt Bors’ comic book debut is everything you hoped for from the best political cartoonist of his generation. Teamed up with visionary storyteller Ben Clarkson, JUSTICE WARRIORS gives you searing satire, at least one hilarious moment per scene and unrestrained fury at the horrors before us. Read the scene that the NYPD literally brought to life!” — Spencer Ackerman, author of REIGN OF TERROR 

“A rich satirical tale of America's overconsumption and over-policing issues.”—CBR 

“All the glorious dystopian satire you hoped it would be.”—BOING BOING

“This is the type of comic that comes around once in a while and reminds you what the form can achieve. Both creators deserve praise for what they’ve made here. It’s hard to believe anyone that reads comics wouldn’t enjoy this.”— AIPT Comics

“Imagine a 1980s Verhoeven scifi flick, plus Judge Dredd, plus the most ruthless social commentary imaginable. Oh, and also, it's gutbustingly hilarious. Justice Warriors scratches so very many of my itches it's unbelievable. It was my most anticipated comic of the year and it's even better than I had hoped.”—Aubrey Sitterson

“Outstanding… skewers the status quo in fun, acerbic, and earnest ways…. With this kind of sassy, surgical satire, clarity makes a cleaner cut. And man, do they make themselves clear in the best ways possible”—COMICS BEAT

"Just the perfect amount of demented!" — Bill Oakley (The Simpsons)

‘If you had your developing mind warped by Teenage Mutant Ninja Turtles, GI Joe, Robocop and comic books, and then had it further destroyed by twitter and social media, then JUSTICE WARRIORS will fill those holes in your brain. Ben Clarkson is truly goated on the inks."— Will Menaker, co-host Chapo Trap House, author of NY Times Bestseller "The Chapo Guide to Revolution"

“I’m thrilled to see Matt Bors’ work liberate itself from its 4-panel cage. Ben Clarkson's detailed art adeptly dishes the ultra-violence in this Zootopia-meets-Robocop-like satire.” — Keith Knight (K Chronicles, (th)ink, Woke)

JUSTICE WARRIORS will be on sale bookstores and comic shops everywhere on September 11, 2024.

Five most underrated Sequels:

Some films are so good and so iconic that any sequels that come after struggles to get out of the shadow of the original. This usually means that any sequels are tarred with a notion that they are inferior or just plain bad. In many cases, this is a fair assessment. However, there are examples of sequels that stand out as something special and should be revisited as excellent films in their own right. I should state, I’m not saying these films are superior to the originals, only that they are very good and should be reconsidered.

1.      Exorcist 3: Legion (1990) – Exorcist 2 is a shambles. It’s incoherent and badly made. It was never going to damage the reputation of the original 1974 classic, but it looked like the end of the road for any possible future sequels. That was until the author of the original Novel, William Peter Blatty, wrote his own sequel novel, Legion. The book was a success and Blatty was given the green light to translate it to the screen.

The story is linked to the original through characters alone, leaving the demonic element behind. Detective Kinderman, who investigated the killing of a character in The Exorcist, is investigating a series of murders that are exactly the same as those committed by an executed serial killer from 15 years ago, The Gemini Killer.

As he digs, he finds links to Patient X being held in a local hospital. X has the face of Father Dyer, who had sacrificed his life to save Regan, the possessed girl from 73, but claims to be The Gemini killer.

As Patient X keeps ranting, people are still dying. Is the killer able to possess people and use them to commit new murders, or is Kinderman going mad?

Legion is a dark supernatural thriller with outstanding performances from George C. Scott as Kinderman and Brad Dourif as The Gemini Killer. The dialogue is snappy, pitted with humour and tension. It keeps an almost perfect balance of the two for most of the film, before pushing the viewer into full horror for the finale.

This is one of the best under-seen films ever, and I recommend it to everyone who would listen.

2.      Psycho 2 (1983) – Hitchcock’s Psycho is pretty close to being a perfect movie. It was left alone for 23 years, but then a sequel came along and few knew what to make of it. In 1983, while people were aware of Psycho, I’m not sure many were clamouring for a follow up.

The risk with a Horror sequel, especially one linked to the birth of the slasher during the height of the slasher craze, would be to lean into the gore and have Norman fall back into his killer ways, stacking up the bodies. Luckily, Tom Holland didn’t go down this path. The film follows Norman after he is released and declared sane. He Returns home and tries to lead a quiet life with a job at a local diner while restoring the motel. However, he starts to receive notes and phone calls from his ‘Mother’. The Question is, is Norman crazy or is someone playing him?

The best part of this film is Anthony Perkins. His Norman Bates is a sympathetic victim who is desperately trying to get away from his past. Watching his fear and unravelling is truly tragic. The finale of the film provides a number of twists that keeps the viewer guessing. It is also directed and shot really well. Yes it does ape Hitchcock is several places, the shots could be considered homage or a maintaining of tone, but a couple are a little clumsy

Psycho 2 continues a story that you may not need to know, but is done so well that you will care about it and thrill in the horror. 

3.      Die Hard with a Vengeance (1995) – The first Die Hard changed the action genre. The 80’s were fuelled by muscle bound action stars, but Bruce Willis and Die Hard introduced the everyman action star back into the genre. He was a new kind of one-man army. So much so, that the pitch “Die Hard in a…” became a common phase.

By the third film in the series the it was the right choice to move away from the One-man army, to the buddy cop dynamic. It should also be noted that while Die Hard 1 and 2 were both based on novels, Die Hard 3 is actually a spec script. This is a script that was written (Called “Simon Says”) and then adjusted to fit the Die Hard series.

Die Hard 2 is a simple re-tread of the first film in tone and action, Vengeance however tries for something different. It introduces consequences for the events of the first film and provides a much bigger environment, as John McClane dashes around New York City. This puts the star back in his home turf and in his element.

It also puts him at odds with a partner in the shape of pitch perfect Samuel L Jackson as a citizen pulled into the action. It echoes elements of previous buddy movies but these two have such good chemistry that it feels fresh.

As well as the dynamic, the action is solid with different locations providing escalating incidents; from a gun fight in an elevator to a truck chase in a newly built tunnel, to a car chase through Central Park. This film is top notch, pulse pounding action delivered with a great cast and some spot on action visuals. While Die Hard is the best in the series, Vengeance is definitely the second best in the series.

4.      Blade Runner 2049 (2017) – The original Blade Runner was a cinematic flop. It gradually became a cult hit, with each different version being released. So it’s no surprise that something similar happened with the sequel. Which is tragic as I think 2049 is one of the best sci-fi movies of the last 10 years; this is because of director Denis Villeneuve.

The film is visually stunning it expands on a world that is only hinted at in the first film. Its scope and depth is beautiful. The story is a continuation of the original world, providing more information without taking away any of the mystery or debate over certain areas. It’s one of the few sequels that builds on it without exploiting what has gone before.

In addition to looking great, the cast are spot on. Ryan Gosling has a similar noir air to him that Harrison Ford had in 1982. As he moves through the story and gets more and more of a beating, despite us knowing he’s a replicant, we want to see him succeed and live.

2049 is an example of how a sequel can pick up a baton 30 years later.

5.      Rocky Balboa (2006) – The 1976 Rocky is an Oscar winning classic. It set up Stallone as a bankable star and able to take control of his career going forward. The first raft of sequels all offer something of note. I stand by the notion that the first three films form one of the best modern trilogies. Four is amazing pulp propaganda and 5 is an odd love letter to the characters origins. However, Stallone was not done with Rocky Balboa.

In recent years, everyone talks about the Original, or the spin off Creed films. However, the 2006 middle movie Rocky Balboa often is forgotten. ‘76 Rocky addresses the fear of missing your chance and becoming bitter, or taking an opportunity and going the distance. Rocky Balboa is about remaining relevant and how the past effects the present. It carries a sombre tone, noting everything that has passed since the last film. It asks the question of what happens when you’re over the hill? Could you still cut it with the new crop of stars? Rocky Balboa very much mirrors Stallone’s career at the time, wanting to remain a viable action star. It’s a relevant story of middle age and the changing face of Hollywood.

The cast are also solid and Stallone writes and directs the hell out of this. It has a hugely quotable script and the end match is incredibly well done. I remember when I saw this in the cinema for the first time. By the end of the film my heart was pounding and my fist was pumping. It echoes so much of the original and is a great end for the Rocky saga, before Creed starts. 

Does a hero stop being a hero when they kill?

When you’re a kid you are taught basic black and white rules of morality. Don’t steal, don’t lie and of course don’t kill. As you get older you start to understand that there are moral grey areas. Situations when these steadfast rules of right and wrong are called into question. When certain wrongs could be right. This can start an interesting debate about how best to react to a situation. What is the best moral stance?

Action movies often (if not always) throw these ethics out the window and hope that you, as viewer, are happy to just go along with the ride. You are given a protagonist who is thrown into a situation and must fight for their life or save someone. Simple.

Ok so let’s talk Die Hard. John McClane is trapped in a building with armed men, willing to kill to get what they want. They put him and others under threat. Throughout the film McClane responds with deadly force. In this situation we can accept that killing is inevitable and in this case acceptable, as it is his only way of survival.  

In both Rambo First Blood (1982) and Terminator 2 (1991) we get a direct response to the need to kill. In First Blood Rambo uses brutal but non-lethal methods to take down the police. Rambo is highly skilled and able to use those skills to prevent the killing and lets the Sheriff know that it could have been different. This is a change from the book and makes Rambo a smarter and more dangerous character. The holding back displays a humanity that I think is missing from some actions heroes.

In Terminator 2 it is established that the T800 has detailed files on human anatomy to make it a more efficient killer. However, when given a directive that it should not kill it is able to do so, again using non-lethal (if sill crippling) force.

We can take from this that being skilled in killing means that the hero should be less likely to kill. They need to demonstrate a restrain and have an ability to disarm and stop an attacker, rather than just kill them. Going back to John McClane, we can see that being a New York cop in a desperate situation and not a skilled one-man army the killing is an act of survival rather than attack. Morally, McClane is in a different situation.

You then have the satire of the situation. Robocop is programmed to be a skilled one-man army machine. It is demonstrated in the film that he can disarm a perp without killing when the woman is held at gun point. He has pinpoint accuracy. Plus, he is mostly bullet proof, which reduces the threat level. So, when he walks into a dug den and starts wantonly killing everyone in sight I have ask whether this is satire or if Robocop is failing as a hero.

Taking this to the extreme we get to Batman or as Tim Burton would have us see him, Murderman. In the 1989 Batman film he blows up a chemical factory that we have just seen is manned by goons and quite possibly unwitting factory workers. Not to mention the fact that he has just released god know what into the environment to affect anyone living in the area around the factory. Later he opens fire on a parade with a level of accuracy that would make a Storm Trooper proud. Bullets and shrapnel flying everywhere. Don’t tell me people weren’t hurt after that! In Batman Returns (1992) he has taken it to the next level when he just drops sticks of dynamite down some baddies trousers. This is supposed to be the most skilled martial artist in the world yet he can’t resist a bit of killing.

Ok, I know that Batman is more fantasy but the principle stands. If John Rambo and the Terminator can take the moral high ground over you, you’re in trouble. Spiderman has it right, with great power comes great responsibility. If you are skilled killer, then you should be skilled enough not to kill. I really do think that falling back on just killing in action films is a fault of the writers. The best and most interesting heroes are not just machines they know that lives matter.

I’m not saying I want the cheesy white bread characters of the early 20th century. What I am saying is that we have moved past the killing and destruction without consequence of the 80’s and 90’s. In this day and age, it is more important than ever before for the heroes that are being presented to the world to be shown to consider their actions and the consequences they will have.

My top 10 Guilty Pleasure Movies

My top 10 ‘Guilty Pleasure’ movies

As I defined in the last Blog, a guilty pleasure movie is:

“A movie that I enjoy despite knowing that said movie is objectively not very good or is not held in high regard by most people.”

Having confirmed that, check out the below list of my top 10 Guilty Pleasure Movies and why I love them.

1.        Masters of the universe (1987) (IMDB – 5.3 / RT - 17%): This is a camp sci-fi classic produced by Cannon films and is a part of 80’s movie history. Why? That’s something I will cover someday. Anyway, I was a big fan of the toys and cartoon when I was a kid so to see some of the characters pulled up on to the big screen, I was pulled into this. Although, even as a kid I knew there was issues with parts of this film but I was down for the ride. I enjoy it in a different way now I am older but there is still part of me that gets a kick out of He-man and Skelator fighting. The film is well made but being released at the wrong time and laden with a few too many clichés it was never going to be a success. That does not mean that this shouldn’t be enjoyed as a B-movie sci-fi romp.

2.        The Shadow (1994) (IMDB – 6.0 / RT - 35%): Batman 1989 was a watershed moment for the superhero movie. Studios wanted to start making them, but keep them cheap. So instead of turning to the comic companies they turned to copyright free characters. So why not the character that partially inspired Batman? The Shadow is a much darker noir pulp character willing to kill and aggressively punish criminals. The film doesn’t reach those levels of darkness; it stays in the family film territory but it’s still great. The visual’s and effects on this film are so 90s, which is part of why this film stands out for me. Alec Baldwin is perfectly cast and the pulpy writing gets me really invested in this adventure romp. The character deserves a reboot on screen but more, this film needs to be found by more people.

3.        Rocky IV (1985) (IMDB – 6.8 / RT - 39%): In 1985 Rocky Balboa single headedly brought the Cold War to an end, or so Rocky 4 would make you think. The first 3 Rocky films are a trilogy of amazing sports dramas about achieving and holding onto success and what it can cost you. Rocky 4 is a propaganda film that includes a robot butler and the possibly the craziest and best work-out montage ever! EVER! The pacing, music and climax are so awesome that if you are not jumping up and down pumping your fists in the air, I would check your pulse.

4.        Child’s play 2 (1990) (IMDB – 5.7 / RT - 40%): The first Child’s Play film is good, but it’s not until 2 that the series gets into its full slasher / killer doll groove. The second film feels more confident by being more camp, and therefore more fun. This film has some excellent kills and has so much more fun with the concept. Also the final act in the toy factory is amazing. This is a film I watched at the right time, it may have even been the first Child’s Play film I saw. It is a definite milestone on my path to enjoying horror films.

5.        Ghostbusters 2 (1989) (IMDB – 6.5 / RT – 51%): This film gets a lot of hate because of how good the first film is. Now I love the first Ghostbusters; it would be in my personal top 5. However, this is the first Ghostbusters I got to see at the cinema. 1989 is a watershed year for me, it’s my first big summer of movies and this stands out to me. I should also say; I think this film is a lot better than people remember. The acting and comedy are solid and it has several scenes that I think are genuinely unnerving. Maybe not the strongest sequel ever made but I love every part of this film, from Ghostbusters being down on their luck to the finale and the odd painting at the end.

6.        Lord of Illusions (1995) (IMDB – 6.0 / RT - 61%): The Hellraiser franchise is what defines Clive Barker on screen. However, there are several other adaptations of his work that are really good (Midnight meat train and Nightbreed mostly notably). The one that ticks most the boxes for me is this adaptation of a short story from the Books of Blood and directed by Barker himself, Lord of Illusions. A horror, detective story about magic, cults and dames in distress. This is a brilliant horror noir that gets massively overlooked, Also Scott Backula is great in it.

7.        The Rocketeer (1991) (IMDB – 6.4 / RT – 62%): Like “The Shadow” this film came in the wake of the success of Batman. The Rocketeer however was not in public domain, as he was created in 1982 by Dave Stevens. However, not particularly well known the right weren’t very expensive. This is a proper old school adventure in the mould of 30’s serials, think Indiana Jones including fighting Nazis. Produced by Disney it is a family adventure with great characters and fun action. An early film for director Joe Johnston who would use his touch of fun and adventure in future films Honey I shrunk the kids, Jumanji, Jurassic Park 3 and Captain America the first Avenger (bringing back the 40’s serial nature).

8.        The Running Man (1987) (IMDB – 6.6 / RT - 63%): This film is the pinnacle of Arnold’s one liner actioners. Based on a much darker and grittier story by Stephen King the film is so 80’s from the costumes to the predicted technology. It’s not subtle in its message but it still has one as well as the great over the top action. I would say that this film would not only appear on this list but would be pretty high on my best of Arnie list as well.

9.        The Goonies (1985) (IMDB – 7.8 / RT - 70%): This is guilty less because the film is bad but more for the fact that at 35, I still want to be a Goonie. Goonies was one of the first films I can remember watching as a child. It fed my desire and love for adventure and the number of childhood adventures I attempted to go on. This holds up so well and I think should held up as a kid’s movie classic. Go back and check it out with your kids and see if they love it.

10.     Killer Klowns from outer space (1988) (IMDB – 6.1/ RT - 71%): This homage to 50’s sci-fi horror B-movies is nuts and relishes in its daft concept. The idea of vicious Alien clowns that travel through space in a ship that looks like a circus tent is brilliant. The acting is a bit wooden but everyone involved is giving their all and some of the scenes are cheesy joy. The practical special effects and makeup are wonderful and look great on the Blu-ray version. The best thing is that all of this is topped off by the tongue in cheek tone throughout. A perfect film to watch with a few beers and friends.

Why I think Action Movies are important.

There are a slew of essays, books and podcasts that provide an academic or more serious analysis of films. These cover everything from how they reflect the state of society at the time, the hidden meaning inserted by the director or even how philosophical or religious undertones can be interpreted. These cover almost every genre, from Horror, hard sci-fi, melodramas and more recently superhero films. The one genre that I think gets a raw deal is “Action”.

Action films often get written off as dumb fantasy escapism for teenage boys, with bad plots and wooden acting. I want to revisit this as a concept and ask if this is actually all they offer. Don’t get me wrong I’m not making a case for all action films to be considered deep, artistic representations of the human condition. As with Horror, melodrama and superhero films, there are those that deserve attention, those that should be enjoyed as entertainment and then there those that should just be forgotten (Mr Seagal, I’m looking at you!).

The action film, in the form we know it today, evolved from the disaster, revenge and cop films of the 70’s. The everyman and down trodden hero was replaced by muscle bound supermen. The gritty car chases and small scale fights were overtaken by epic explosions and one man army killing sprees. However, that in itself is an interesting point to make. Arnold Schwarzenegger, Sylvester Stallone, Dolph Lundgren and Jean Claude Van-Damme, or the Austrian Oak, the Italian Stallion, The Swedish meatball and the Muscles from Brussels were all, ironically, the embodiment of the 80’s America; Big, Loud and full of attitude; shoot first ask questions later and any number of other clichés. Action films and their stars became the representation of this decade much more than any other genre.

This raises a further point I would like to highlight. It is often discussed that Horror films are used to explore the underlying fears of a social group of society in general. However, like fear these films and the themes are more personal, at least when done well. Easy examples are “Dawn of the Dead”,

I suggest that more than almost any other genre, Action films react to real world events quicker and more evidently on larger scale, representing the state of America at least, if not the world:

Reagan became President in 1981; we get the Reagan era and the larger than life supermen action stars already mentioned. You also get a range of mainstream Cold War propaganda films like Red Dawn (1984), Rocky 4 (1985) and Rambo 3 (1988). Seriously, go check out the politics behind the Rambo sequels, it’s fascinating when you consider where we are today.

The fall of the Berlin wall and Soviet Russia led to more diverse action films. There was no longer a dread super-villain hanging over the world, so while maintaining bombast and the larger than life stars of the 80’s we get more diverse heroes. Keanu Reeves (Point Break 1991, Speed 1994), Nic Cage (The Rock 1996, Con Air 1997, Face/off 1997) make it to the A-list. We also get new foreign stars and directors coming into American Cinema, like John Woo (Hard Target 1993) and Jackie Chan (Rumble in the Bronx 1995).

The tragic events of September 11th 2001 led to some believing that it was the end of the action genre. However the reality was the birth of less bombastic and more introspective actions heroes like Jason Bourne (Bourne Identity 2002) and Daniel Craig’s James Bond (Casino Royale 2006). It was a time when Heroes felt guilt for their actions and having to deal with the consequences.

Finally, we have had the economic crisis of 2008 and the small world mentality that has grown from this. These events have led to a nostalgic hunger for “better, simpler times” and the resurgence of the old bombastic simpler Reagan era heroes. Actors in their 50’s and 60’s becoming action stars in The Expendables (2010), Taken (2008), The Last Stand (2013) and even Arnie coming back to the Terminator Franchise (2015).

The question now is how will the action genre react to Trump’s presidency and the rise of isolationist politics? Will Hollywood continue its liberal leanings or pander to the beliefs of the masses? The point is, Action films can be used as a great barometer of the state of the western world.

That was a quick look at how Action films can be tied into and be related to real world events. Now let’s take a look at something just as important, the quality of the action. There are a million and one low budget action films which rely on bad gun battles and poorly edited and choreographed fights. However, from time to time we get a film that presents the violence as ballet like, each shot and move a thing of brutal beauty. The Lobby shoot out in The Matrix (1999) stands out as an epic and beautifully constructed sequence. Check out any 80’s or beyond Jackie Chan film to see some of the best choreographed comedic martial arts on film. Try Terminator 2 for one of the best running gun battles / car chases in modern cinema between a van and a helicopter.

All of these and every other great fight scene takes month’s to conceive, stage and pull together, with skills from so many different departments. The stuntmen, the special FX team, the actors, the cinematographer and the editor are just a few of the people that have to get it right for a fight scene to get the heart racing.

As a final note I would also like to mention the most important part of all this, the heart of the film, the characters involved. In the cases of the best action movies, the reason that the fight scenes, gun battles or car chases have such an impact is that the audience cares about the characters in peril. Without this the action can be cold, hollow or just plain bad.

Consider John Rambo in First Blood, yes the ambushes and town invasion are great to watch but they are also heart breaking as you follow Rambo being forced down a path that can only end in ruin. When he breaks down at the end, it all floods out and his vulnerability is laid bare. Rambo wasn’t an angry vet out for revenge; he was a lost soul reacting to events in the only way that he knew how. Say what you will about Stallone but by the end of

Deep, I know but consider Die Hard. Why is it one of the best action films of all time? Yes, the special effects and action are well staged, the script is sharp and Bruce Willis is pretty much pitch perfect.  Technically that sounds good but on an emotional level all of that builds to create a story in which I am invested and I really care whether John McClane makes it out of Nakatomi tower. If one of those elements hadn’t worked I’m not so sure it would be as fist pumpingly iconic. It would have been ‘Under Siege’ or one of the other lesser Die Hard knock offs.

Do these films deserve Oscars? Probably not

Should they get more attention for the skill that is involved in making a good action film, never mind an iconic one, or how they affect us and what they say about us? Most definitely!

This has been a bit of an action ramble I admit but I feel the point is more than valid. Action films are designed to entertain first and foremost. Done well, they will. However, with just a little more thought and kicking away some of the rubble you can find that these films represent so much more. Hopefully one day someone with way more knowledge and skill than me will take up the challenge and Action films will get the representation they deserve.

Top 10: Genre Action Films of the 20th Century

Sometimes action films mix it up with other genres, sci-fi, Historical fiction even horror. This list is my top 10 genre action films in date order. What do you think of the list? What films would you add?

1. Mad Max 2: The Road Warrior (1981) – The first Mad Max film is good but its sequel is brilliant. It is so out there in story, imagery and action. The story is a simple sci-fi post-apocalyptic western, a lone ‘Road warrior’ helping a small isolated community against a much stronger outlaw force. A young Mel Gibson, before his American break out, is perfect in the role and gives it his all in a film that could have failed massively. This film deservedly created a legacy for both the genre and Gibson. Max may limp off in the sunset at the end of the film but Gibson walked into a series of great roles as a result.
2. Indiana Jones and the Raiders of the lost ark (1981) – This was homage to the serial adventures of the 30’s and 40’s but also set up a new generation of treasure seekers. When I first saw this film as a kid it thrilled and terrified me. I wanted to be Indy but the fate of the Nazi’s after opening the Ark gave me nightmares, regardless I was hooked. Harrison Ford embodies the slightly jaded archaeologist so much that it I struggle to imagine anyone else filling that iconic fedora. Raiders is pretty much episode after episode of action but directed by Steven Spielberg it hangs together to become and all-time great action adventure.
3. Highlander (1986) – A medieval Scottish clansman played by a French actor, an Egyptian soldier trained in Japan played by a Scottish actor and an ancient Russian lone killer played by an American. All in all it’s a bit muddled but it works, especially when played with tongue in cheek humour. This is perfect Saturday night entertainment with a legendary soundtrack by Queen and ending in an epic sword fight on a roof. All of it shot beautifully, whether in the dingy alleys of New York or the wide open Highlands of Scotland. The sequels without expectation are bad but this film stands up and should be regarded as a classic.
4. Aliens (1986) – James Cameron took Ridley Scott’s Alien horrific haunted house film and expanded the universe and story with an action packed war movie. I enjoy the theatrical cut but I am a bigger fan of the extended cut. Not only does it provide more Xenomorph action but it also provides more back story for Ripley and the Wayland-Yutani Corporation. This film is so intense and fast paced when it kicks in, the action is good and the cast are excellent but all of this is held together by something else that makes this film timeless. The practical special and creature affects by Stan Winston are amazing, all topped off by the iconic Alien Queen.
5. Robocop (1987) – Paul Verhoeven’s break out American film and what a breakout it is. A super violent dystopian dark comedy satire of 80’s corporate privatisation culture, what more could you ask for? How about a bad-ass cyborg cop taking down the gang that killed him.  Not only is the action in this film bloody, violent and top notch but it is punctuated by excellent takes on adverts for ludicrous products (a board game called NUKEM about international annihilation, a vehicle the 6000 SUX, which offers 8.2 miles to the gallon). This is kind of film that benefits from repeat viewings and actually, unfortunately, has become more relevant over time.
6. The Running Man (1987) – Based on a very different Stephen King novel, under the Richard Bachman pen name. The dystopian story of an innocent man being trapped in a game show in which he gets to win his life back. It may not be as clever as Robocop but its satire of American Television and justice culture is obvious. Once the contestants are thrown into the arena the film kicks into high gear. Arnie is typical Arnie and great for it but the film thrives because of the ludicrous villains like Buzzsaw, Dynamo and Sub-Zero, all over seen by the deliciously evil Richard Dawson, real life game show host.
7. Terminator 2 (1991) – Another sequel on this list. The Terminator series mirrors the Alien mould, the first is a dark sci-fi slasher film but the second is an all-out action film. I would suggest that this is the peak of Arnie’s action career. The film is outstanding in expanding the universe, upping the stakes and actually makes the original a better film. Three high points for me are the Asylum escape, the Cyberdyne office building attack and the final showdown between the T800 and T1000. The series falls apart after this point but getting a film this good from it is worth a couple of bad films.
8. Demolition Man (1993) – Another future but this one utopian, at least on the surface. Despite being a fun action film it has a dark message about the cost of peace and human nature. I am not sure I completely agree with the message that we are innately violent and dark and that we should allow that to be a part of society. It comes across a little mixed by the end. However, the fun comes from the Stallone and Snipes characters and their fish out of water antics and eventual show downs. This is supported by some excellent world building using off hand comments and background touches.
9. The fifth element (1997) – This European intergalactic pulp adventure is brilliant because of its balls to the wall craziness. Written and directed by Luc Besson with production design by Mobius and costumes by Jean Paul Gaultier. This film was going to be crazy stylish if nothing else. Bruce Willis is basically playing a future John McClane, remaining cynical while aliens of all kinds do battle round him. The high points of the film are the battle at the Opera in which Willis shines and Milla Jovovich pretty much throughout. A colourful, funny and imaginative romp that is busting with style in every frame.
10. The Matrix (1999) – I think it’s fair to say that The Matrix, coming out in the last year of the millennium, ushered in so many elements of movies for the 21st century. It is a film between two eras. It has the urban gothic style that is very 90’s, as well as early ideas about what computers could do but introduced special effects and franchise structures that are still being used today. As a standalone film its excellent high concept paranoid action fun. The martial arts fights are awesome and while Keanu Reeves is never going to win an Oscar he is the perfect opposition to Hugo Weaving’s Agent Smith. I would suggest forgetting the sequels and watching this as a standalone film.

Top 10: Straight Action films of the 20th Century

The only criterion for this list was that the film had to have minimal cross genre elements. So, I have discounted films like Robocop, Terminator 2 or even Indiana Jones. The other thing is that this is a list that I have created and is based solely on the films I love in date order. If you want to suggest anything else or dispute anything on this list, let me know.

1.       Rambo: First Blood (1982) – one of the first true one man army action films but not just action candyfloss. The film provides a perspective on veterans by civilians and their place in society following Vietnam. Stallone’s John Rambo is a damaged soldier looking for connection in the real world. When he is rejected he reverts to his training and takes the war to small town America. The action is raw and brutal but its true impact comes at the end when Rambo breaks down and retells what has seen and been through. This is an action film with a message about ignorance and the impact of post-traumatic stress disorder.

2.       Commando (1985) – A proper candyfloss action film and the second one man army film on this list. This film has no deeper meaning but is filled with some great set pieces and one liners. Schwarzenegger is on true muscle bound action hero form. The fact that his daughter has been kidnapped as leverage to assassinate a country‘s leader is completely immaterial. The plot is so thin but it all builds up to an amazing and ludicrous third act. Seriously, Arnie taking on an entire drug cartels army is awesome. The only thing that brings this down is Bennett, Arnie’s nemesis, who seems so out of shape next to Arnie that the final fight is a bit daft.

3.       Lethal Weapon (1987) – The buddy cop film was already a staple by the mid-80’s; the sub-genre came to America with 48 hours in 1982. This was followed by a couple of other films in the genre but it wasn’t made really popular until 1987 with Shane Black’s Lethal Weapon. The previous entries had leant a little more towards the comedy and while fun they were throw away. Lethal Weapon took this to the next level by upping the violence and intensity, and wrapping around it the great pairing of Mel Gibson and Danny Glover. The chemistry between the two is excellent and what drove this franchise for four films.

4.       Die Hard (1989) – Possibly the best loved action film of all time. Die Hard was a game changer, it took the everyman hero of the 70’s and throw him into the over the top action of the 80’s. Based on the book “Nothing lasts forever” by Roderick Thorpe released in 1979. To me this film is almost perfect, Bruce Willis is excellent as John McClane and Alan Rickman is thrilling as Hans Gruber, the slimy international terrorist thief.  This film was rightfully a break out for each actor and started the film description cliché “Die Hard in a …” of all the films on this list this is the one I have watched the most.

5.       Tango and Cash (1989) – The second buddy cop film on the list. While Lethal Weapon took the genre pretty straight, Stallone and Russell take it full on action cheese. This film is pure dumb fun, the plot is basic and the action is big. Of the two Kurt Russel seems the more at home as the scruffy Gabe Cash while Sly Stallone sometimes feels a little awkward as the well-manicured Ray Tango. However, when that starts to fall away a little by the second act they fall into the roles brilliantly and the fun just keeps on coming. This is not going to win any awards but is perfect Saturday night pizza and beers action mayhem.

6.       Hard Target (1993) – John Woo’s first American film and it had Jean-Claude Van Damme in it. Mixing the oriental directional style of Woo with Van Damme’s martial arts was a great idea and is brilliant fun. In a story about People being hunted for sport we get everything we would expect, slow motion, high kicks, dove’s and amazing action set pieces. This was at the height of Van Damme’s 90’s fame and is one of his best films. It also includes the brilliant Lance Hendrickson at his nastiest, as the main villain.

7.       True Lies (1994) – Take Bond and make him an American Family man built like an Oak and you get James Cameron’s True Lies. This film demonstrates how far Arnold Schwarzenegger had come as an actor. He is charismatic and plays the roles of dull computer salesman and super spy well and with charm. He is also surrounded by a solid supporting cast from the sexy Jamie Lee-Curtis (I grew up when I saw that dance scene!), the entertaining Tom Arnold and the evil Terrance Malik. The comedy never over takes the action and the third act contains some of the best stunts you will see in any action film of the decade.

8.       Goldeneye (1995) – One day I will get to cover James Bond on a couple of episodes but right now I need to admit, Goldeneye is my favourite bond film. This may be due to my age, I was 14 when the film came out, but Peirce Brosnan is my James Bond. I had seen some of the other films before this and was aware of Bond as a film series but had not been pulled into them until Goldeneye. You couldn’t avoid Tine Turner’s excellent intro song and the advertisements. This is one of the few Bond films I have seen in the cinema and I have loved it ever since. Also the game was awesome; let’s just not talk about some of the other Brosnan outings at the moment.

9.       Bad Boys (1995) – The first of two Jerry Bruckheimer actioners on this list and the film that made the Fresh Prince a legit star. This film is great for two reasons, the first is the relationship between Will Smith and Martin Lawrence, the second is the stylised action. Watching it now I will admit that some of the directorial choices date the film to the decade. This is small a minor complaint however when many of the other choices still stand up so well and the main cast are so good. It should also be noted that this is the feature directorial debut of Michael Bay; regardless of my feelings about his more recent Transformer efforts his style is perfectly suited for this action.

10.   Con Air (1997) – I flip-flopped between this and The Rock to put on this list, both Jerry Bruckheimer films. In the end I decided to go with Con Air because it is slightly more fun and has the amazing John Malkovich as the main villain, Cyrus ‘The virus’ Grissom. Nic Cage delivers one of his more subdued performances amid some more flamboyant choices from the bad guys around him. However, it is clear that he is having fun; he is a pretty good action lead. The premise of the film is daft and some of the leaps in logic and credulity push the boundaries at times. However, the film is endlessly quotable and the plane grave yard sequence is so much fun and chock full of great moments.